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May 14, 2013

Grace Coddington drew her ideal Met Gala looks…on cats.
(via hipsterical:textbook)
Yes, yes. Just purrfect.

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May 12, 2013

She can cut a Wintour like no one else.

She can cut a Wintour like no one else.

(Source: yimmyayo, via jessicachu)

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May 9, 2013

bohemea:

Jennifer Lawrence by Ellen von Unwerth, 2013

Ellen always shoots the girl you want to be.

bohemea:

Jennifer Lawrence by Ellen von Unwerth, 2013

Ellen always shoots the girl you want to be.

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May 8, 2013

Ikram Goldman, High Fashion’s Ambassador From the Midwest


Homegirl sounds echt nuts. More power to her, I guess.

A few years ago, a saleswoman called Goldman one day with what she thought was good news: She had sold a $17,000 piece by Yohji Yamamoto, a long, white backless shirt trimmed with lace. Goldman, in Europe at the time, was devastated: it was one of only three that had been made, and she’d intended it for her own off-site archive, which includes rare items from Alexander McQueen and Givenchy. “I’m in tears, crying,” Goldman said, recalling the incident. “The salesperson was saying, ‘Shouldn’t you be happy?’ But how often do you find a Van Gogh or a Richard Serra? I loved it. I loved it so much. It’s so wrong — it hurts.” At first she wanted to ask the client to return the shirt. Then she asked someone at Yamamoto to send her the one from their stores. It could not be done. “I had to go all the way to the top,” Goldman said, her eyes teary. The shirt was eventually manufactured especially for her.


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May 7, 2013

Kate Moss: Sail Away - Vogue UK by Patrick Demarchelier, June 2013 (via bohemea)
Bitch doesn’t age.

Kate Moss: Sail Away - Vogue UK by Patrick Demarchelier, June 2013 (via bohemea)

Bitch doesn’t age.

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May 7, 2013

How can I resist? The tree in the dog park is blooming. Sneaking home one of my favorite scents….
(Handbag by Annabel Ingall. Lovin’ it.)

How can I resist? The tree in the dog park is blooming. Sneaking home one of my favorite scents….

(Handbag by Annabel Ingall. Lovin’ it.)

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May 6, 2013

The only Met Gala coverage you’ll ever need.

Right this way…

(Well, except TLo tomorrow, but that goes without saying.)

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April 30, 2013

I have two black-tie events in the next month (three, if you count MCC but I think I’m going with the showgirl look instead for that ‘cause why the hell not).
So what do we think? This with yellow heels and maybe this CV clutch? (Or if that’s too much, my go-to vintage silver clutch?)
Yes?
Great. Good talk. Thanks for supporting me in all my obsessive shopaholic endeavors.
PS: I know M.’s not going to love it. Men don’t ever get the one-shouldered thing. But I dress for you girls anyway.

I have two black-tie events in the next month (three, if you count MCC but I think I’m going with the showgirl look instead for that ‘cause why the hell not).

So what do we think? This with yellow heels and maybe this CV clutch? (Or if that’s too much, my go-to vintage silver clutch?)

Yes?

Great. Good talk. Thanks for supporting me in all my obsessive shopaholic endeavors.

PS: I know M.’s not going to love it. Men don’t ever get the one-shouldered thing. But I dress for you girls anyway.

Comments (View)  |  21 notes


April 19, 2013

For someone so glamorous, she sure was pretty.

For someone so glamorous, she sure was pretty.

(Source: mostlymarilynmonroe, via matchbookmag)

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April 12, 2013

On the glowing recommendation of Maureen Corrigan of Fresh Air, I downloaded Shocked: My Mother, Schiaparelli, and Me by Patricia Volk last night and I am already half-way through. I’m obsessed!
Volk tells the story of growing up in a rather glamorous NYC restaurant family with a mother whom everyone — even the butcher — tells her is beautiful, and who takes beauty and womanhood very seriously, in that old-fashioned pancake-makeup-and-foundation-garments sort of way.
Every year for her birthday, her father makes a big production of giving her mother the same gift — “Shocking,” a perfume by Elsa Schiaparelli that came in packaging so luxurious and extreme it is downright surreal (see a rather hilarious illustration from the book, above, and of course Schiap was great friends with all the surrealists so that adjective’s no accident).
In her description of the annual gift-giving drama, Volk slips this one in just as the chapter is closing:

Always the perfume comes gift-wrapped. My father makes the paper himself. He uses Scotch tape and as many hundred-dollar bills as it takes to get the job done.

That kind of absolutely delightful anecdote — and there are many; the bit about every woman needing “a ring and a mink” is particularly wonderful — would make a terrific book, but it’s made doubly fascinating by interweaving stories from the life of Schiap, this woman who couldn’t be more different than her mother and yet, made the scent she wore with such aplomb (if not a desire to actually shock).
Volk first learned about the woman behind the beguiling bottle when, at the age of eleven — the ultimate age of transformative reading, as she points out — she found her mother’s rented copy of Schiap’s autobiography. It opened her eyes to an alternative universe of womanhood.
This memoir, then, is about navigating these two fascinating and very of-their-moment approaches to womanhood while making her own anthropological study of the art or science or craft whatever it is that we do to be females. In that anthropological spirit, she includes tons of totally charming illustrations.
In a word, I’m smitten. And while it’s one of those books I don’t want to end (yet I surely will in about 12 hours), I’m comforted that I have her previous memoir, Stuffed — focusing on that NYC restaurant family life — still to savor.

On the glowing recommendation of Maureen Corrigan of Fresh Air, I downloaded Shocked: My Mother, Schiaparelli, and Me by Patricia Volk last night and I am already half-way through. I’m obsessed!

Volk tells the story of growing up in a rather glamorous NYC restaurant family with a mother whom everyone — even the butcher — tells her is beautiful, and who takes beauty and womanhood very seriously, in that old-fashioned pancake-makeup-and-foundation-garments sort of way.

Every year for her birthday, her father makes a big production of giving her mother the same gift — “Shocking,” a perfume by Elsa Schiaparelli that came in packaging so luxurious and extreme it is downright surreal (see a rather hilarious illustration from the book, above, and of course Schiap was great friends with all the surrealists so that adjective’s no accident).

In her description of the annual gift-giving drama, Volk slips this one in just as the chapter is closing:

Always the perfume comes gift-wrapped. My father makes the paper himself. He uses Scotch tape and as many hundred-dollar bills as it takes to get the job done.

That kind of absolutely delightful anecdote — and there are many; the bit about every woman needing “a ring and a mink” is particularly wonderful — would make a terrific book, but it’s made doubly fascinating by interweaving stories from the life of Schiap, this woman who couldn’t be more different than her mother and yet, made the scent she wore with such aplomb (if not a desire to actually shock).

Volk first learned about the woman behind the beguiling bottle when, at the age of eleven — the ultimate age of transformative reading, as she points out — she found her mother’s rented copy of Schiap’s autobiography. It opened her eyes to an alternative universe of womanhood.

This memoir, then, is about navigating these two fascinating and very of-their-moment approaches to womanhood while making her own anthropological study of the art or science or craft whatever it is that we do to be females. In that anthropological spirit, she includes tons of totally charming illustrations.

In a word, I’m smitten. And while it’s one of those books I don’t want to end (yet I surely will in about 12 hours), I’m comforted that I have her previous memoir, Stuffed — focusing on that NYC restaurant family life — still to savor.

Comments (View)  |  6 notes